Jason Waterhouse
2006 Geelong Design Week
The Victorian Regional Design Fair is a new flagship event celebrating Geelong's UNESCO City of Design status and the depth, diversity and excellence of design across regional Victoria.
Presented by the City of Greater Geelong and Geelong Design Week, the Fair brings together designers, makers, manufacturers, creative businesses and industry leaders, the Fair is a vibrant showcase of innovation, creativity and collaboration.
Jason Waterhouse
Cotyledon structure, 2026
bronze, brass, acrylic paint
129 x 41 x 24cm (sculpture size)
$ 11,000
Strung out / Hung out, 2025
bronze, brass, acrylic paint
193 x 30 x 30cm (sculpture size) plus ceiling rod (dimensions variable)
$ 17,500
…
This sculpture was part of Slump exhibition held at Stockroom (Kyneton) in 2025
With finesse and impeccable craftsmanship, Jason Waterhouse’s sculptures manipulate elements of nature through the hybridisation of material and form. By creating seemingly impossible outcomes, Waterhouse has created a body of work that intentionally plays with perception and suspends order.
In "Slump", Waterhouse’s sculptures present contradictions that create uncertainties between the actual and the manufactured. He has manipulated form and material potentials into impossible states, intentionally playing with perception and the natural order of things. Through all these inverted norms, the works convey a sense of struggle and relief, negotiating a tension and emotion that is subtly yet profoundly suggested.
Propped, 2025
bronze, stainless steel, mild steel painted table
15 x 42 x 13cm (sculpture size), 105 × 55 × 20 cm (table size)
$ 3,500
Grit, 2025
mild steel, bronze, acrylic paint
35 × 120 × 13 cm
$ 6,500
…
This sculpture was part of Slump exhibition held at Stockroom (Kyneton) in 2025
With finesse and impeccable craftsmanship, Jason Waterhouse’s sculptures manipulate elements of nature through the hybridisation of material and form. By creating seemingly impossible outcomes, Waterhouse has created a body of work that intentionally plays with perception and suspends order.
In "Slump", Waterhouse’s sculptures present contradictions that create uncertainties between the actual and the manufactured. He has manipulated form and material potentials into impossible states, intentionally playing with perception and the natural order of things. Through all these inverted norms, the works convey a sense of struggle and relief, negotiating a tension and emotion that is subtly yet profoundly suggested.
Against all, 2025
Manna Gum, mild steel, polyurethane paint, fasteners
181 x 120 x 30cm (with table), 81 x 51 x 20cm (sculpture size)
$ 3,900
…
This sculpture was part of Slump exhibition held at Stockroom (Kyneton) in 2025
With finesse and impeccable craftsmanship, Jason Waterhouse’s sculptures manipulate elements of nature through the hybridisation of material and form. By creating seemingly impossible outcomes, Waterhouse has created a body of work that intentionally plays with perception and suspends order.
In "Slump", Waterhouse’s sculptures present contradictions that create uncertainties between the actual and the manufactured. He has manipulated form and material potentials into impossible states, intentionally playing with perception and the natural order of things. Through all these inverted norms, the works convey a sense of struggle and relief, negotiating a tension and emotion that is subtly yet profoundly suggested.
Held I, 2022
archival inkjet pigment print on Canson paper, edition of 5, framed
50 × 38 × 3 cm
$ 1,900
…
This artwork was part of the solo exhibition The unsurmountable weight of every little thing held at OIGÅLL PROJECTS in 2023
Calibrating tension and weight with finesse and fragility, Jason Waterhouse's refined, playfully wrought sculptures are intricately moulded hybrid forms that possess intriguing contradictions.
Cast in bronze from natural materials, these finely detailed and seemingly delicate objects appear to suspend order, bending and crushing the solid supports and frames that hold their fine, sinuous forms.
Other sculptures defy gravity, their heft appearing to float with unexpected levity.
Held II, 2022
archival inkjet pigment print on Canson paper, edition of 5, framed
50 × 38 × 3 cm
$ 1,900
…
This artwork was part of the solo exhibition The unsurmountable weight of every little thing held at OIGÅLL PROJECTS in 2023
Calibrating tension and weight with finesse and fragility, Jason Waterhouse's refined, playfully wrought sculptures are intricately moulded hybrid forms that possess intriguing contradictions.
Cast in bronze from natural materials, these finely detailed and seemingly delicate objects appear to suspend order, bending and crushing the solid supports and frames that hold their fine, sinuous forms.
Other sculptures defy gravity, their heft appearing to float with unexpected levity.
Held III, 2022
archival inkjet pigment print on Canson paper, edition of 5, framed
50 × 38 × 3 cm
$ 1,900
…
This artwork was part of the solo exhibition The unsurmountable weight of every little thing held at OIGÅLL PROJECTS in 2023
Calibrating tension and weight with finesse and fragility, Jason Waterhouse's refined, playfully wrought sculptures are intricately moulded hybrid forms that possess intriguing contradictions.
Cast in bronze from natural materials, these finely detailed and seemingly delicate objects appear to suspend order, bending and crushing the solid supports and frames that hold their fine, sinuous forms.
Other sculptures defy gravity, their heft appearing to float with unexpected levity.
Weeping caesia, 2023
bronze, brass, mild steel
74 × 120 × 30 cm
$ 8,500
…
This sculpture was part of the solo exhibition The unsurmountable weight of every little thing held at OIGÅLL PROJECTS in 2023
Calibrating tension and weight with finesse and fragility, Jason Waterhouse's refined, playfully wrought sculptures are intricately moulded hybrid forms that possess intriguing contradictions.
Cast in bronze from natural materials, these finely detailed and seemingly delicate objects appear to suspend order, bending and crushing the solid supports and frames that hold their fine, sinuous forms.
Other sculptures defy gravity, their heft appearing to float with unexpected levity.